{"id":143,"date":"2024-10-24T11:18:30","date_gmt":"2024-10-24T10:18:30","guid":{"rendered":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/?page_id=143"},"modified":"2024-10-25T00:43:29","modified_gmt":"2024-10-24T23:43:29","slug":"research","status":"publish","type":"page","link":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/research\/","title":{"rendered":"Song Research"},"content":{"rendered":"\n

Breakfast at Tiffany’s:<\/p>\n\n\n\n

Deep Blue Something was formed in 1993 in Texas witch included 4 members, Todd Pipes (vocals and bass), his brother Toby pipes (vocals and lead guitar), Kirk Tatom (guitar and backing vocals), Clay Bergus (guitar and backing vocals), and john kirtland. the band became successful in the 90s partially due to there hit single breakfast at Tiffany’s witch made the top 10 charts because of its catchy melody and memorable lyrics.<\/p>\n\n\n\n

The songs was inspired by the 60s film Breakfast at Tiffany’s and it has been said it was written because the films theme of love and relationships connected to the band. The mention of the film worked as a metaphor for shared cultural experiences between people. In modern days the song brings people back to the 90s. this is good because the large majority of the audience are parents and other people who have lived through the 90s.<\/p>\n\n\n\n

This shows us that we should emphasize the longing and nostalgia in our playing. one way we could do this apart from just adding more feel is by being softer in the verses and louder in the choruses.<\/p>\n\n\n\n

chords:<\/p>\n\n\n\n

source- ultimate guitar <\/p>\n\n\n\n

[Verse]\n \n       D    G\/B       A          D          G\/B    A         D\nYou'll say, we've got nothing in common, no common ground to start from\n    G\/B      A     D     G\/B   A\nand we're falling apart\n       D        G\/B       A      D             G\/B        A      D\nYou'll say, the world has come between us, our lives have come between us\n      G\/B    A              D     G\/B   A\nstill I know you just don't care\n \n \n[Chorus]\n \n     D                A            G\/B            D                A\nAnd I said what about Breakfast at Tiffany's, she said I think I remember\n    G\/B         D                   A            G\/B           D\nthe film and as I recall I think we both kind of liked it, and I said well that's\n    A               G\/B\nthe one thing we've got\n \n \n[Solo]\n \nD     G\/B     A\/C#     D     G\/B     A\n \n \n[Verse]\n \n   D           G\/B   A      D           G\/B        A      D\nI see you, the only one who knew me and now your eyes see through me\nG\/B  A          D        G\/B   A\n   I guess I was wrong\n   D              G\/B      A         D          G\/B       A           D\nSo what now. it's plain to see we're over and I hate when things are over\n     G\/B        A      D     G\/B   A\nwhen so much is left undone\n \n \n[Chorus]\n \n     D                A            G\/B            D                A\nAnd I said what about Breakfast at Tiffany's, she said I think I remember\n    G\/B         D                   A            G\/B           D\nthe film and as I recall I think we both kind of liked it, and I said well that's\n    A               G\/B\nthe one thing we've got\n \n \n[Verse]\n \n       D    G\/B       A          D          G\/B    A         D\nYou'll say, we've got nothing in common, no common ground to start from\n    G\/B      A     D     G\/B   A\nand we're falling apart\n       D        G\/B       A      D             G\/B        A      D\nYou'll say, the world has come between us, our lives have come between us\n      G\/B    A              D     G\/B   A\nstill I know you just don't care\n \n \n[Chorus]\n \n     D<\/strong>                A<\/strong>            G\/B<\/strong>            D<\/strong>                A<\/strong>\nAnd I said what about Breakfast at Tiffany's, she said I think I remember\n    G\/B<\/strong>         D<\/strong>                   A<\/strong>            G\/B<\/strong>           D<\/strong>\nthe film and as I recall I think we both kind of liked it, and I said well that's\n    A<\/strong>               G\/B<\/strong>\nthe one thing we've got\n \n \n[Solo]\n \nD<\/strong>     G\/B<\/strong>     A\/C#<\/strong>     D<\/strong>     G\/B<\/strong>     A\/C#<\/strong>\n \nD<\/strong>     G\/B<\/strong>     A\/C#<\/strong>     D<\/strong>     G\/B<\/strong>     A<\/strong>\n \n \n[Chorus]\n \n     D<\/strong>                A<\/strong>            G\/B<\/strong>            D<\/strong>                A<\/strong>\nAnd I said what about Breakfast at Tiffany's, she said I think I remember\n    G\/B<\/strong>         D<\/strong>                   A<\/strong>            G\/B<\/strong>           D<\/strong>\nthe film and as I recall I think we both kind of liked it, and I said well that's\n    A<\/strong>               G\/B<\/strong>\nthe one thing we've got\n \n \n[Solo]\n \nD<\/strong>     G\/B<\/strong>     A<\/strong>     D<\/strong>     G\/B<\/strong>     A<\/strong>\n \nD<\/strong>     G\/B<\/strong>     A<\/strong>     D<\/strong>     G\/B<\/strong>     A<\/strong>     D<\/strong>\n<\/pre>\n\n\n\n
Save Tonight:<\/p>\n\n\n\n
Eagle-Eye Cherry is a Swedish rock musician, born in 1971. He first debuted in the mid 90s and is well known for his unique rhythmic style and unique and distinctive voice. Similar to Deep Blue Something, save tonight popularized the musician and reached top of the charts in multiple country’s. <\/p>\n\n\n\n
The song was inspired by Cherry’s longing for love and specifically his “desire to make the most of fleeting time together”. this song was in multiple films and became known as a staple of the 90s. <\/p>\n\n\n\n
Chords:<\/p>\n\n\n\n
[Intro]\n| Am  F  | C  G  | x2\n \nAm F  C  G  Am F  C  G\nMmh   mmh   mmh   mmh\n \n \n[Verse 1]\n          Am    F     C       G\nGo on and close   the curtains, \n              Am   F    C      G\n'cause all we need   is  candlelight\n        Am F      C              G\nYou and me  and a bottle of wine\n           Am          F    C   G\nGonna hold you tonight   ah-yeah\n         Am  F    C       G\nWell, we know I'm going away, \n          Am   F           C         G\nand how I wish, I wish it weren't so\n             Am  F     C          G\nSo take this wine  and drink with me\nAm              F       C\nLet's delay our misery\n \n \n[Chorus]\nG      Am   F      C                   G\nSave tonight   and fight the break of dawn\n     Am        F   C               G\nCome  tomorrow,  tomorrow I'll be gone\n     Am       F    C                   G\nSave  tonight  and fight the break of dawn\n     Am       F   C               G\nCome  tomorrow, tomorrow I'll be gone\n \n \n[Verse 2]\n          Am  F        C  G\nThere's a log  on the fire \n       Am   F      C         G\nand it burns  like me for you\n         Am   F          C    G\nTomorrow comes with one desire\n   Am       F    C        G\nTo take me away, it's true\n         Am  F    C       G\nIt ain't easy  to say goodbye, \n        Am    F       C        G\ndarling please don't start to cry\n      Am               F        C   G\nCause girl you know I got to go,  oh\n    Am             F          C\nAnd lord I wish it wasn't so\n \n \n[Chorus]\n   G      Am    F    C                   G\nTo save tonight  and fight the break of dawn\n     Am        F   C               G\nCome  tomorrow,  tomorrow I'll be gone\n       Am    F     C                   G\nSave tonight   and fight the break of dawn\n     Am        F   C               G\nCome  tomorrow,  tomorrow I'll be gone\n \n \n[Solo]\n| Am  F  | C  G  | x4\n \n \n[Verse 3]\n  Am          F     C        G\nTomorrow comes   to take me away\nAm            F       C         G\n  I wish that I, that I could stay\nAm              F         C   G\nGirl you know I got to go,  oh\n    Am             F          C\nAnd lord I wish it wasn't so\n \n \n[Chorus]\nG      Am    F    C                   G\nSave tonight  and fight the break of dawn\n     Am        F   C               G\nCome  tomorrow,  tomorrow I'll be gone\n     Am       F     C                   G\nSave  tonight   and fight the break of dawn\n     Am       F    C               G\nCome  tomorrow,  tomorrow I'll be gone\n \n       Am    F     C                   G\nSave tonight   and fight the break of dawn\n     Am        F   C               G\nCome  tomorrow,  tomorrow I'll be gone\n     Am      F     C                   G\nSave  tonight  and fight the break of dawn\n     Am       F   C               G\nCome  tomorrow, tomorrow I'll be gone\n \n \n[Outro]\nAm  F   C               G\n      Tomorrow I'll be gone\nAm  F   C               G\n      Tomorrow I'll be gone\nAm<\/strong>  F<\/strong>   C<\/strong>               G<\/strong>\n      Tomorrow I'll be gone\nAm<\/strong>  F<\/strong>   C<\/strong>               G<\/strong>\n      Tomorrow I'll be gone\n \n| Am<\/strong>  F<\/strong>  | C<\/strong>  G<\/strong>  | x4\n \n       Am<\/strong>     F<\/strong>  C<\/strong>\nSave tonight\nG<\/strong>      Am<\/strong>     F<\/strong>  C<\/strong>\nSave tonight\nG<\/strong>      Am<\/strong>     F<\/strong>  C<\/strong>\nSave tonight\nG<\/strong>      Am<\/strong>     F<\/strong>  C<\/strong>  G<\/strong>\nSave tonight<\/pre>\n\n\n\n
How You Remind Me:<\/p>\n\n\n\n
Nickleback was formed in the mid 90s in Canada by the brothers Chad and Mike Kroeger along with Ryan Peake and Brandon Kroeger. The album “silver side up” witch features How You Remind Me got them into the main stream music scene of the early naughtys.<\/p>\n\n\n\n
The song was based on the lead singers frustration with relationships with lyrics involving love and the complexity of relationships. Apparently is was written in 30 minutes and has been nominated for a Grammy. The connection between the dates and themes of all the songs are similar so its like the type of performance that would happen in the early 2000s.<\/p>\n\n\n\n
chords:<\/p>\n\n\n\n
[Verse 1]\nBm                  E\n Never made it as a wise man\nAsus2                    Dsus2\n  I couldn't cut it as a poor man stealin'\nBm                    E\n Tired livin' like a blind man\nAsus2                        Dsus2\n  I'm sick inside without a sense of feelin'\n \n \n[Pre-Chorus]\nBm           Dsus2     Asus2\nAnd this is how you remind me\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\n \n \n[Chorus]\nBm                Dsus2\n It's not like you   to say sorry\nAsus2                 E\n Always waitin' on a different story\nBm             Dsus2\n This time I'm   mistaken\nAsus2                 E\n  For handin' you a heart worth breaking\nBm                  Dsus2\nAnd I've been wrong   I've been down\nAsus               E\n To the bottom of every bottle\nBm            Dsus2       Asus2                E\n  These five words in my head  scream \"Are we havin' fun yet?\"\n \n \n[Bridge]\nBm    E    Asus2\n  Yet, yet, yet\nDsus2\n No, no\nBm    E    Asus2\n  Yet, yet, yet\nDsus2\n No, no\n \n \n[Verse 2]\nBm                          E\n It's not like you didn't know that\nAsus2                     Dsus2\n I said I love you and I swear I still do\nBm                      E\n And it must have been so bad\nAsus2                           Dsus2\n Cause livin with me must have damn near killed you\n \n \n[Pre-Chorus]\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\n \n \n[Chorus]\nBm                Dsus2\n It's not like you   to say sorry\nAsus2                 E\n Always waitin' on a different story\nBm             Dsus2\n This time I'm   mistaken\nAsus2                 E\n  For handin' you a heart worth breaking\nBm                  Dsus2\nAnd I've been wrong   I've been down\nAsus               E\n To the bottom of every bottle\nBm            Dsus2       Asus2                E\n  These five words in my head  scream \"Are we havin' fun yet?\"\n \n \n[Bridge]\nBm    E    Asus2\n  Yet, yet, yet\nDsus2\n No, no\nBm    E    Asus2\n  Yet, yet, yet\nDsus2\n No, no\n \n \n[Interlude]\n \n| Bm        | Asus2 Dsus2 |\n \n \n[Verse 3]\nBm                  E\n Never made it as a wise man\nAsus2                    Dsus2\n  I couldn't cut it as a poor man stealin'\nBm            Dsus2    Asus2\nAnd this is how you remind me\nBm            Dsus2    Asus2\nAnd this is how you remind me\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\nBm        E         Asus2          Dsus2\n This is how you remind me of what I really am\n \n \n[Chorus]\nBm<\/strong>                Dsus2<\/strong>\n It's not like you   to say sorry\nAsus2<\/strong>                 E<\/strong>\n Always waitin' on a different story\nBm<\/strong>             Dsus2<\/strong>\n This time I'm   mistaken\nAsus2<\/strong>\n  For handin' you a heart worth breaking\nBm<\/strong>                  Dsus2<\/strong>\nAnd I've been wrong   I've been down\nAsus<\/strong>               E<\/strong>\n To the bottom of every bottle\nBm<\/strong>            Dsus2<\/strong>       Asus2<\/strong>                E<\/strong>\n  These five words in my head  scream \"Are we havin' fun yet?\"\n \n \n[Outro]\nBm<\/strong>    Dsus2<\/strong>  Asus2<\/strong>\n  Yet,  yet,  yet\nE<\/strong>\n No, no\nBm<\/strong>    Dsus2<\/strong>  Asus2<\/strong>\n  Yet,  yet,  yet\nE<\/strong>\n No, no\nBm<\/strong>    Dsus2<\/strong>  Asus2<\/strong>\n  Yet,  yet,  yet\nE<\/strong>\n No, no\nBm<\/strong>    Dsus2<\/strong>  Asus2<\/strong>\n  Yet,  yet,  yet...  No, no <\/pre>\n\n\n\n
Crocodile Rock:<\/p>\n\n\n\n
This song has themes about the nostalgia of rock and roll witch celebrates youth and “the good old days” based of Bernie Taupins (song writer) experience. This song became very successful reaching the top of the hot 100 is the US, due to this its now seen as one of Elton Johns many signature tracks.<\/p>\n\n\n\n
From this i knew that i had to preform it with energy and excitement and energy to really put forward the theme of nostalgia and joy that was intend when the song was written.<\/p>\n\n\n\n
\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"
Breakfast at Tiffany’s: Deep Blue Something was formed in 1993 in Texas witch included 4 members, Todd Pipes (vocals and bass), his brother Toby pipes (vocals and lead guitar), Kirk Tatom (guitar and backing vocals), Clay Bergus (guitar and backing vocals), and john kirtland. the band became successful in the 90s partially due to there […]<\/p>\n","protected":false},"author":935,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-143","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/pages\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/users\/935"}],"replies":[{"embeddable":true,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":8,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/pages\/143\/revisions"}],"predecessor-version":[{"id":185,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/pages\/143\/revisions\/185"}],"wp:attachment":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/12984714\/wp-json\/wp\/v2\/media?parent=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}