Mics we used:
Kick in -EV-RE20
the EV-RE20 is a microphone used for recording bass instruments such as the bass guitar, kick drum, floor toms and more
Kick out -Warm Audio WA-87 (Neumann U-87 copy), fig 8 pattern used on mic.
Like the original, the WA-87 R2 delivers noticeably smooth bass and mids while adding the pristine top end that engineers have chased for decades. The signature 7-10kHz bump adds a radio-friendly edge to lead vocals and any source that needs to stand out in a mix like for example the kick drum.
Snare top- Sennheiser MD421 MK2
this mic is used for micing up snare drums & toms on a kit, and close micing guitar cabinets.
Snare bottom -Shure SM57
The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording
Hi-hat -Audio Technica 4041
this mic is designed to meet the most critical acoustic requirements of professional recording, broadcast and live sound.
Overhead -Warm Audio WA-14 (AKG C414 copy)
This mic provides punchy warm and intimate lead vocals, aggressive guitars and heavy percussion.
Room mics-Warm Audio WA-14 (AKG C414 copy) fig 8 pattern used.
Bass -DI (BSS AR133), (Plugged into input of DI via jack, link out to AMP then output using XLR to interface)
Keys – DI X2 (BSS AR133), (Plugged into input then output to interface).
Bass mic – AKG D112 MK2
Guitar amp mic 1 – Shure SM57
Guitar amp mic 2 – Sennheiser MD421
Vocals- Shure SM7b (reflexion filter and pop filter used with)
DI (direct injection)- Takes unbalanced signal turns it balanced- Difference being, unbalanced can be noisy, DI offers clean signal.