Film

Film

Jump cut

A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is divided into two parts, with a piece of footage removed to make the impression of jumping forward in time. You would use a jump cut to speed up a sequence when a certain character is doing something for example when the character is walking to a certain place they would cut that part out to make the sequence short so it does not consume time. Jump cut is different from other techniques because most of the editing techniques are to hide the edit however jump cut is visible, however most of the film makers are agains a visible cut because it is against the edited nature of film.

Match cut

A match cut in the film is a cut from one shot to another in which the arrangement of the two shots is balanced by the action or subject and subject matter. A shot can go from a long shot on both contestants with a cut to a medium close-up shot of one of the duellists in a duel. Match cuts structure the reason for congruity altering, for example, the pervasive utilization of match on activity. Progression altering smooths over the characteristic irregularity of shot changes to build up a consistent soundness between shots. Indeed, even inside coherence altering, however, the match cut is a difference both with cross-cutting between activities in two distinct areas that are happening all the while, and with equal altering, which draws equals or differentiations between two diverse time-space areas.

Cross cut

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Coordinate Match Coordinate cuts structure the reason for congruity changing, for illustration, the unavoidable utilization of coordinate on action. Movement modifying smooths over the characteristic abnormality of shot changes to construct up a steady soundness between shots. Undoubtedly, indeed interior coherence modifying, be that as it may, the coordinate cut could be a distinction both with cross-cutting between exercises in two unmistakable zones that are happening all the whereas, and with break even with modifying, which draws rises to or separations between two different time-space regions.

Following action

This is a editing technique that takes multiple shots of one scene, for example when a person is about to open a door knob, there would be another shot from a different angle where his hand is about to open the door.

The taking after the activity alter is for the most part utilized amid epic activity scenes highlighting weapons and blasts sincebecausesince there’s continuously something going on, particularly in the event that the character endeavors to avoid something and in doing so moves out of the way and goes in another course,meaning the camera takes after the character in doing.

Song lyric

-Happy

It might seem crazy what I’m about to say
Sunshine she’s here, you can take away
I’m a hot air balloon, I could go to space
With the air, like I don’t care baby by the way

In the first verse he warns us about how crazy it will sound,what he says sounds like its bunch of words put together leaving us confused

Because I’m happy
Clap along if you feel like a room without a roof
Because I’m happy
Clap along if you feel like happiness is the truth
Because I’m happy
Clap along if you know what happiness is to you
Because I’m happy
Clap along if you feel like that’s what you wanna do

The line “clap along if you feel like a room without a roof” shows that he feels like theres multiple reasons that makes him happy, there is no limit to his happiness.

Here come bad news talking this and that
Yeah, give me all you got, don’t hold back
Yeah, well I should probably warn you I’ll be just fine
Yeah, no offence to you, don’t waste your time

Now this means that no matter what you say or do you cant bring him down because he doesn’t care, nothing can ruin his mood.

Happy, bring me down
Can’t nothing, bring me down
Love is too happy to bring me down

Pharrell believes that love is too powerful therefore nothing can bring him down, the love his feeling is too strong for him get brought down

Story bord

The song I choose was “cause I’m happy” therefore most of the scenes in my music video are gonna be happy,in my story bord theres different things that make people happy, such as food and snaks, theres also a scenes where they hug families and friends, this is because friends and family brings happiness