{"id":97,"date":"2017-12-11T11:44:38","date_gmt":"2017-12-11T11:44:38","guid":{"rendered":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/?page_id=97"},"modified":"2018-01-08T12:03:45","modified_gmt":"2018-01-08T12:03:45","slug":"practical-skills","status":"publish","type":"page","link":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/practical-skills\/","title":{"rendered":"Composition 1: Practical Skills"},"content":{"rendered":"<p>For this composition, I decided to use a few different things from my research, including minimalism, drones and suspended chords. I decided not to use the Fibonacci Sequence because I felt that it removed a lot of the creative aspects of composing.<\/p>\n<p>To start with, I began by finding a melody on a keyboard\u00a0using\u00a0a grand piano sound. I did this because I wanted to base my entire composition off of this melody because it creates a minimalistic sound, also, i felt that the melody and the grand piano sound very much suited my sonnet. I based my melody off of a suspended chord, specifically a A sus 2 chord, as it set a\u00a0melancholy\u00a0tone that I felt suited the sonnet.<\/p>\n<p>The next thing I did was find a bass line that would set the tone at the\u00a0beginning\u00a0of the composition that would also go with my melody. I based it off of an A Minor Scale because it gave the melody a very mellow type of tone.<\/p>\n<p>Next, I began to start changing the instrumentation a little and I felt that to filling out the bass a bit would create more of a sound bed, so I decided to add in some of Logic&#8217;s &#8216;Orchestral&#8217; sounds by having the bass part played with a &#8216;Full String Ensemble&#8217; sound as i felt it was fitting to my sonnet.<\/p>\n<p>Adding to the &#8216;Full String Ensemble&#8217;, I added another melody, but instead of short, staccato notes, I used sustained legato notes as it suited the strings sound more. This melody was also based off of the same A sus 2 chord.<\/p>\n<p>The last thing for me to do, arrangement wise, was to actually arrange the different sections in an order that would build tension whilst also not creating too strong of a sound that would draw away from the sonnet itself. I eventually decided that all the sections would come in individually 4 beats, or a full bar, after the previous part came in, mostly because there wasn&#8217;t a lot of space to do otherwise, thanks to the reading being a minute long. The order in which the parts came in is as follows;<\/p>\n<ul>\n<li>Piano Bass Part<\/li>\n<li>Strings Bass Part<\/li>\n<li>Piano Melody<\/li>\n<li>Strings Melody<\/li>\n<\/ul>\n<p>After all of this was done, I cleaned up the sound of the song by automating the volume of each part to fade in, or out, certain parts, etc.\u00a0 I also put some effects like reverb and delay on certain parts to tie everything together a bit more and give the whole composition a bit of a smoother, more ambient sound. I also did a final &#8216;master&#8217; mix just to make sure that all the parts sounded right and to make sure they were the right volume, etc.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For this composition, I decided to use a few different things from my research, including minimalism, drones and suspended chords. I decided not to use the Fibonacci Sequence because I felt that it removed a lot of the creative aspects of composing. To start with, I began by finding a melody on a keyboard\u00a0using\u00a0a grand &hellip; <a href=\"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/practical-skills\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Composition 1: Practical Skills&#8221;<\/span><\/a><\/p>\n","protected":false},"author":78,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-97","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/pages\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/users\/78"}],"replies":[{"embeddable":true,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/comments?post=97"}],"version-history":[{"count":11,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/pages\/97\/revisions"}],"predecessor-version":[{"id":158,"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/pages\/97\/revisions\/158"}],"wp:attachment":[{"href":"https:\/\/digitalspace.bradfordcollege.ac.uk\/10579675\/wp-json\/wp\/v2\/media?parent=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}